The year is 1993. And in the heart of Cincinnati, Ohio, a suspended roller coaster is opened at Paramount’s Kings Island. The name?…
Top Gun
The coaster itself is somewhat simple in design; total height of only 78 feet with a 70 feet drop and a top speed of 51 mph. The initial lift hill provides all the energy needed for the jet-striker circuitous path over the 2,300 feet of track. Total ride time: 1 min, 52 seconds.
I can only imagine back in ’93, when the crowds would be lined up in the queue for hours at a time to experience 110 seconds of excitement. So what’s a theme park company to do to help people pass the time? What could possibly serve as the “opiate for the masses”?
Enter: The First Church of Kenny Loggins
(Press Play to get pumped up…)
Kenny Loggins was the king of 80′s movie soundtrack anthems, providing tracks for Caddyshack, Footloose, Over The Top, and Top Gun. And nothing quite says 80′s cool like rockin’ the aviator shades indoors, sporting the 3-day stubble, and having a spiked starter mullet. But regardless of Mr. Loggins fashion style, the song itself is infectious with synthesized beats and a driving rhythm.
So the muckity-mucks of Paramount’s Kings Island were wise to maintain the business strategy of turning roller coaster into movie experience. There was the Drop Zone free-fall tower, the Face/Off roller coaster which places riders face-to-face, the Days of Thunder go-kart track, the Congo Falls boat flume ride, the Italian Job: Stunt Track coaster, and Tomb Raider: The Ride. All these theme-based rides helped create a unique experience and a common identity amongst the rides within the park. But all paled in comparison to Top Gun.
The Top Gun ride successfully piggybacked on the acclaim and popularity of one of the better movies of our time. The loading station was designed by John DeCuir, the movie’s production designer, to resemble an aircraft carrier and was adorned with patriotic and military symbology. The ride is colored military gray and the cars replicate some of the F-14 Tomcat stylings. If that were not enough to accelerate your pulse and send your adrenaline levels to new heights, the above “Danger Zone” video is played on a continous loop over the closed-feed monitors at every 50 feet within the ride’s line. Following the ride’s conclusion, the instrumental “Top Gun Anthem” blares victoriously over loudspeakers as riders triumphantly exit the ramp.
That was then. This is now.
The year is 2008. And the younger brothers joined me earlier this summer for a weekend back at Kings Island. But the park has taken a turn for the worse…at least in outward appearance.
You see, readers, it had been several years since I last experienced that which is known as the Paramount’s Kings Island. And between this previous visit and this summer’s trek, the park underwent ownership changes. Cedar Fair, owners and operators of Cedar Point and several other amusement ventures, purchased the Paramount Parks franchise (which included multiple parks) for $1.24 billion in 2006. And with the sale from Paramount to Cedar Fair went the naming rights and privileges for the movie-themed names and references.
So as we entered Kings Island on that Saturday, the names on the park map didn’t exactly match those named above. The Face/Off ride had been renamed Invertigo, the Drop Zone had been generalized to Drop Tower, and the Italian Job: Stunt Track had become Backlot Stunt Coaster. All rides were essentially the same, but with the less creative, non-descript brands. My only salvation was that someone had the foresight to originally name The Beast after nothing tied to Corporate America.
And then we got to the Top Gun (TM) ride. Cedar Fair’s version? –> Flight Deck
Flight Deck? Are you kidding me? You go from the bad-ass excitement of Top Gun to the lame and uninspiring Flight Deck. It’s the equivalent of calling the Egyptian Pyramids by the name polyhedra or the Washington Monument by the moniker ‘obelisk’. These are things that are just too big or too great to be limited by generalization.
But, before giving up all hope, I had to actually ride it. Perhaps the rename would only take away from the allure and not the actual experience.
If only this world weren’t so cruel. My friends, Kings Island has completely destroyed any and all remaining intrigue for this ride. I mean they have literally just shit all over it.
No longer due to soothing tones of the Loggins greet eager entrants to the ride gate. Instead it’s a veritable hodgepodge of random music videos. Scott, Eric, and I were instead met by the sultry saxophone of the bikini-clad babe from Wreckz-N-Effect’s “Rumpshaker”. Not exactly the tune to make you feel like Maverick (unless Mav’rick is preparing to “take flight” in his Chevy Impala lowrider with hydraulic suspension, that is).
So with my anger reaching Subway-esque levels, I turned my attention towards technology. By downloading a “Danger Zone” ringtone, perhaps the day would not be lost. Only I hadn’t factored in the Loggins to Wreckz-N-Effect ratio (currently estimated by scientists to be 10,000:1). Without the cult-like following to Kenny’s rock anthem, we were at the front of the line and ready to ride before anything could be successfully downloaded.
So there I sat, harness over shoulders, with what had to be the greatest look of disdain ever to grace my face. Both brothers are amused at this point with my fanatical love for all things Top Gun and with how quickly my interest has turned to disgust. Stoic, my face remained an expressionless mask for the next 1 minute and 52 seconds.
Listen up, Hoonies. I normally have nothing but contempt for the Corporate America naming rights game. It has turned too many famed sports stadiums into giant-sized billboards (Comiskey to US Cellular, Astrodome to Enron Field and Minute Maid Park, and Jacob’s Field to Progressive Field). But perhaps there is a time and place for it. It’s paramount (pun intended) for King’s Island to maintain naming rights and to preserve the staple that once was the Top Gun ride.
So starting today, I am proud to announce the founding of the Loggins Foundation, aimed at raising enough money to buy permission back from Paramount Pictures to keep part of the past alive in Cincinnati.
I thank you for your support.



